But Weilerstein thinks of it not as a new approach to Bach, she said, rather a celebration of the really disparate voices in contemporary classical music, with Bach as a common reference point. He had this incredible way of distancing himself when we were working together, so it never felt like I was, sort of, battling a parent. Law Office of Gretchen J. Kenney. She spoke to Scott Simon from the Spoleto Festival USA, where she'll be performing through June 12. I was never subjected to abuse or was made to practice 10 hours a day while locked up. What do you think of as being the most important creative resources for doing what you do? You try to treat the score as something thats living and breathing, and therefore, malleable. The work was co-commissioned with the Detroit Symphony; the Cleveland Orchestra, where Weilerstein performed it last fall; and the National Symphony, where she reprised it in May. Do it for no other reason than that you love it and cant imagine doing anything else. She was awarded the MacArthur genius grant in 2011. Since Alisa Weilerstein was just 6, the three have performed together around the globe as the Weilerstein Trio. FC: And you mentioned Dorothy DeLay, who's a legendary violin teacher at Julliard and here in Aspen. This is, therefore, a Romantic and very exciting set of cello suites. Dont do it for anybody else. Thats the beauty of it. April 19, 2017 - Alisa Weilerstein is an American classical cellist who began performing professionally at the age of 13. I havent played the Elgar in a long time. Thats something that Im really trying to do. They have one child. like. Weilerstein did set some rules. So to return to it was actually really wonderful, because I found all sorts of new things in it. Who are any of us next to Mozart? That's an honor and a litmus test which Barenboim has only granted one other artist: Yo-Yo Ma. I live with his music all the time, I love it deeply, Shaw said, adding that the second book of The Well-Tempered Clavier has been her soundtrack for the past year. Her father, Donald, was the longtime first violinist with the fine Cleveland Quartet, and her mother, Vivian Hornik Weilerstein, is an equally well-regarded pianist. Here's a space to search our entire website. She started playing the cello at age four. I also have a young daughter, who is 11 months old. Allegro maestoso ma appassionato 9:33 2. Literally. Jamie Jung Since making her professional and Carnegie Hall debuts in her early teens, she has been in high demand as a solo Weilerstein was born in Rochester, New York, but was raised in Cleveland, graduating from Cleveland Heights High School. FC: So you were just an infant-in-arms for a while, and you started playing cello when you were four. You have to have a willingness to collaborate. I realized that what he was telling me was very valuable. to a secular Jewish family. Then you come back to it with a new and fresh perspective. People might not realize that the further you go in this business, the more travel is absolutely a part of the job description. It is mandatory to procure user consent prior to running these cookies on your website. I never liked that word. Most classical musicians regard his work as sacred in terms of really abiding by exactly what he wrote, in terms of dynamic markings and tempi and that sort of thing. AW: No, because I was three months old. Law Firm Website Design by Law Promo, What Clients Say About Working With Gretchen Kenney. Her brother is also a conductor and violinist. She lives with her husband, Venezuelan conductor Rafael Payare, and their young child. Alisa Weilerstein performs at the National Aquarium in Baltimore. Weilerstein was born in Rochester, New York, on April 14, 1982. I do that with great repertoires a lot. When the cellist Alisa Weilerstein found herself cooped up with her family at the start of the pandemic, her first instinct, like that of so many classical musicians, was to find some way any way to communicate. Its a balance we have to strive forto protect what the composer intended, yet keep the music alive so it doesnt become a museum piece, or simply an archive. Its filled with really, really good information. Cellist Alisa Weilerstein. I am traveling almost all the time. Phone: 650-931-2505 | Fax: 650-931-2506 | Disclaimer | Sitemap Those were the kind of stories you heard. Its a nice challenge to have. There Will Be Blood. One book I would recommend to anyone whos interested in music would be Alex Rosss The Rest Is Noise. But disabling some of these cookies may have an effect on your browsing experience. Fragments is an attempt to fix a problem, Weilerstein said of relying too much on our old models of presenting, especially when it comes to new music.. WEILERSTEIN HAS NEVER had the reputation of being a new-music specialist, but she has given her fair share of premieres, and few of her colleagues on the international circuit can list anything so bold as her recording of Elliott Carters Cello Concerto on their discographies. Saturday and Sunday: from 2 hours before the concert starts until 30 minutes after the concert starts To keep growing with them. (1988) and When Alisa Met Elliott (2012). Weilerstein's artistry comes naturally. To everyones credit, I think, everyone is wrestling with this issue, Weilerstein said in a recent interview from Toronto. Its like the E.M. Forster phrase, only connect, Weilerstein explained. I think of Mozart as a true prodigy. Weilerstein and Jason Yoder ( marimba) perform Camille Saint-Sans 's "Le cygne" (The Swan) from The Carnival of the Animals at the White House Evening of Classical Music (November 2009) Problems playing these files? See media help. Alisa Weilerstein (born April 14, 1982) is an American classical cellist. She was named a 2011 MacArthur Fellow. [1] May 22, 2022 6 AM PT Balancing an infant with a whirlwind career as one of classical musics most in-demand cellists comes easily for Alisa Weilerstein. Entertainment & Arts. The goal is always to know these scores better, to truly live with the great masterworkslike the Bach Suites, for example. Alisa Weilerstein is one of the foremost cellists of our time. With her multi-season new project, FRAGMENTS, Weilerstein aims to rethink the concert experience and broaden the tent for classical music. Alisa Weilerstein talks about her experience at the Aspen Music Festival and School In this interview from the Harris Hall stage in Aspen, Performance Today's Fred Child talks with renowned cellist Alisa Weilerstein about the Aspen experience, and what the school and festival means to her. Alex Irvin / Courtesy Aspen Music Festival and School. She is an ardent champion of contemporary music, and has premiered and championed important new works by composers including Pascal Dusapin, Osvaldo Golijov and Matthias Pintscher. Im still going to always try to improve as an artist and to be a more insightful interpreter. Today her career is truly global in scope, taking her to the most prestigious international venues for solo recitals, chamber concerts and concerto collaborations with all the preeminent conductors and orchestras worldwide. So that was a very important thing. Shes the same manager I have now, 20 years later. When youre playing with someone new, do differences in interpretation ever cause problems? Alisa Weilerstein is a young cellist whose emotionally resonant performances of both traditional and contemporary music have earned her international recognition. 2023 Orchestre symphonique de Montral. Other career milestones include a performance at the White House for President and Mrs. Obama. Concert evenings: noon to 8 p.m. Climate & Environment. Born in New York to a violinist father and pianist mother, she grew up and eventually formed the Weilerstein Trio with her parents. She has evidently thought hard about how contemporary composers can be given a fairer chance to break through to audiences, especially to those people for whom contemporary art, say, is an easier ask. For example, as recently as November, Weilerstein still planned to perform the complete Bach suites for cello in Santa Barbara in April of 2021. Do you even remember the first time you were here? We'll assume you're ok with this, but you can opt-out if you wish. Weilerstein wanted for the first thing that listeners hear to be the Prelude from the first Suite. May 27, 2011 A consummate artist even before she was out of her teens, 29-year-old Alisa Weilerstein has already been granted extraordinary opportunities, from She was just an incredibly encouraging presence. Alisa Weilersteins new project, Fragments, comes to Zankel Hall on April 1. Even when I was a very, sort of, unruly teenager, I still realized what he was telling me was good, so I took it (laughs). Daniel Day-Lewis tour de force. Thats a constant discussion. I always hated it when people would try to label me in any way. .st0{ You can also deactivate these cookies. But again, you crave that kind of thing. For example, the Schumann concerto Ive played many times. My management was very careful to get me as much experience as I needed without overexposing me or taking over my life. Alisa Weilerstein always knew that she wanted to be a cellist. clip-path:url(#SVGID_2_); Something I return to every so often is Kunderas The Book of Laughter and Forgetting. I thought the connotations of being considered a prodigy implied living a very different life than the one I lived. From there to the regal quality of the third and the life affirming and nostalgic quality of the sixth. The second disc delves into the darker Suites. Adagio (Con gran espressione) 12:35 3. There is no end point. The perspective gives you something. Alisa Weilerstein: From Bach To The Backstreets Of Buenos Aires. When she finally forced herself to play again, she found herself staring out of the window, wondering what her field might look like when, or if, performers returned to the stage. } The work is better as a result. WebExplore Alisa Weilerstein's discography including top tracks, albums, and reviews. Housing & Homelessness. In Alisa Weilersteins groundbreaking, multi-year performance series FRAGMENTS, new music by some of the most compelling composers of our time meets Thats an important skill, unless you are someone who only plays alone always, you have to be able to communicate. Reisers set stays constant, a deconstructed theater arrayed so that it evokes soloists constant struggles to create a room of ones own as they travel the worlds halls, Pulitzer said, and at the same time reawakens the spaces for the people who are familiar with them. Each composer has a specific lighting color, to give a sense of which fragments combine to make wholes. 2023 Los Angeles Philharmonic Association. Concert matines: opens at 9 a.m. For Shaw, that was part of the attraction of Fragments, beyond the obvious appeal of writing for a soloist whose visible commitment expresses such a clear love of music. Alisa Weilerstein has won the MacArthur Foundation "genius grant." She joined the artists who found solace on social media, streaming a movement of Bachs cello suites each day, for 36 days in a row. FC: Was it hard playing at home for your dad - this world-famous violinist - when you were just learning how to play the cello? Well, something that Im trying to do more of is simply being mindful to get enough exercise and to do good stretches. This is what its about for me., A Cellist Breaks Music Into Fragments, Then Connects Them, https://www.nytimes.com/2023/03/24/arts/music/alisa-weilerstein-fragments-cellist.html. Without real love and doggedness and tenacity, its still nearly impossible. Known for her consummate artistry, emotional investment and rare interpretive depth, she was recognized with a It felt a little bit all right, it felt a lot risky to give her a piece about coffee like that, Moya said. But this project is intended to reimagine what a cello recital can be, to challenge some of the conventions that Weilerstein thinks might inhibit a listeners immediate response to the music, and to add layers of theatricality to the arguably staid traditions of the concert hall, in an acceptance that a musician is, after all, performing on a stage. I was 14 when I went with my manager. Because its hard enough, even when you love it. May 27, 2011 A consummate artist even before she was out of her teens, 29-year-old Alisa Weilerstein has already been granted extraordinary opportunities, from playing for President Obama to taking on an iconic musical assignment. She was awarded the MacArthur genius grant in 2011. hide caption. Lifestyle. Alisa Weilerstein is an American cellist who started playing the cello at a young age. Alisa Weilerstein is an American classical cellist who began performing professionally at the age of 13. Ive found that my happiest collaborations with conductors, where Im playing a concerto with them, have been times where you come together from very, very different places. This is always the subject of debatewhat is the role of the performer? She and the cello seem simply to be one and the same, agrees the Los Angeles Times. The trio currently resides at the New England Conservatory in Boston. Her brother is the violinist and conductor Joshua Weilerstein (born in 1987). She is married to Venezuelan conductor Rafael Payare. [5] Weilerstein has received a number of honors. She mentioned that her first cello was a cereal box with a chopstick for a bow! This is important for any musician. Webby James Manheim. For anyone in the classical music world, being able to expose other people to these great works is always something you hope to do. How do you nourish your creative life when youre not working? Human beings are far more complex. But for this upcoming performance, itll be my first time that I play it without a conductor, so it should be interesting. The Law Office of Gretchen J. Kenney assists clients with Elder Law, including Long-Term Care Planning for Medi-Cal and Veterans Pension (Aid & Attendance) Benefits, Estate Planning, Probate, Trust Administration, and Conservatorships in the San Francisco Bay Area. Her discography also includes chart-topping albums and the winner of BBC Musics Recording of the Year award, while other career milestones include a performance at the White House for President and Mrs. Obama. fill: #000; These cookies do not store any personal information. The Prelude of the Cello Suite No. In fact, I played for Zara Nelsova when I was much younger, but I wasn't officially a student, I was around maybe 6 or 7 when I had my first lessons with her. She also is active in chamber music and performs with her parents, violinist Donald Weilerstein (the founding first violinist of the Cleveland Quartet) and pianist Vivian As a soloist she has performed with a number of other major orchestras on four continents. For reasons she cant explain, she was instantly attracted to the instrument as a small child. This website uses cookies to improve your experience when you browse the website. You also have to deal with the traveling, which is very tough on the body. People assume that this is the only thing you know how to do, or that your talent is a kind of idiot-savant type of thing. Thats a great advantage of playing these real masterworks, because theyre so rich in detail that you can always find something new, no matter how many times youve played them. Going to hear a concert and not looking at whats on the program and not knowing what comes next those have been some of my deepest and most revealing listening experiences, Shaw said. For that reason, the lack of program notes before the lights go dark, the audience will be given only the most basic information about the project, and the names of the composers they will hear is a core part of Fragments, and a sign, its creators said, that, for all the deliberate, thoughtful artifice, the focus is on the music. February 16, 2012 Positioned above a tank full of stingrays at the National Aquarium, Weilerstein used her cello to serenade sea creatures (and many pleasantly surprised visitors) with music by Johann Sebastian Bach. WebAlisa Weilerstein is known for If I Stay (2014), P.O.V. Necessary cookies are absolutely essential for the website to function properly. For cellist Alisa Weilerstein as for all of us life in 2021 involves a lot of rescheduling. To be included with these amazing people, that, for me, was the biggest honor. I also heard of other people of my generation being called a prodigy as if they were simply a precocious kid. The helpful thing is that a lot of repertoires that I have to play are repertoires that Ive done before. AW: I was 13 when I first came as a student, so that was 1995, and I studied with David Finckel, and also, I played for Dorothy DeLay quite a lot. But I wanted to go with my gut, and relate my work to something that might connect with her on that level, not a technical or a composer-y level.. It gives you a totally new tool. Cellist Alisa Weilerstein Weilerstein has achieved an impressive set, one that stands apart from the hundreds of others available, yet gives the listener the feeling that she might have done it differently the next day. Hes a great inspiration for me in that sense. Youre playing these well-known, exacting pieces of music. If there's such a thing as cello mojo, Alisa Weilerstein has it. Alisa Weilerstein & conductor Daniel Barenboim - Elgar & Carter Cello Concertos, Alisa Weilerstein: Master Class (esk filharmonie / Czech Philharmonic), Alisa Weilerstein and Inon Barnatan - Rachmaninovs Sonata for Cello and Piano in G Minor, Alisa Weilerstein plays Bachs Cello Suite No.3, Gigue. Since making her professional and Carnegie Hall debuts in her early teens, she has been in Labels are generally very, very unhelpful. Is it to be an interpreter? theres no substitute for time away. Among these cookies, cookies classified as necessary are stored on your browser because they are essential for the functioning of the basic functionality of the website. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Its about communicating ideas which are inexpressible in words. Learn all about Alisa Weilerstein on AllMusic. Music is about communication. Pentatone's sound is a bit too close but catches the intensity and the controlled spontaneity of these readings. For example, Im about to play the Elgar concerto with the National Symphony in Russia. Since making her professional and Carnegie Hall debuts in her early teens, she has been in high demand as a solo recitalist, chamber musician and concerto soloist with leading orchestras worldwide. Alisa Weilerstein is one of the foremost cellists of our time. Diagnosed with type 1 diabetes at the age of nine, Weilerstein is a staunch advocate for the T1D community. AW: No, she actually offered quite a lot of technical advice because - contrary to popular belief - the violin and the cello are really not that different, it's actually the same but just reversed. Allegro molto vivace 11:54 Golijov: Omaramor For Solo Cello 8:14 Alisa Weilerstein (cello) Recorded: 2012-10-14 Recording Venue: Teldex Studio, Berlin Weilerstein is a throwback to an earlier age of classical performers: not content merely to serve as a vessel for the composers wishes, she inhabits a piece fully and turns it to her own ends, marvels the New York Times. Alisa Weilerstein (Cello) Born: April 18, 1982 - Rochester, New York, USA The American cellist, Alisa Weilerstein, was born into a musical family: she is the AllMusic relies heavily on JavaScript. For aspiring classical musicians, what kind of advice can you offer other than practice, practice, practice? Theres this idea that we have a literal script in front of us. Its a balance we have to strive forto protect what the composer intended, yet keep the music alive so it doesnt become a museum piece, or simply an archive. Brava, brava, brava! Since making her professional and Carnegie Hall debuts in her early teens, she has been in high demand as a solo Image. Conversation Alisa Weilerstein on what it means to be a classical musician Music , Beginnings, Collaboration, Process From a conversation with T. Cole Rachel April 19, The staging does offer some hints about the music, as if to hold the listeners hand. Theyre chamber music players, which means that theyre listening to each other individually. Cellist Alisa Weilerstein, explaining her decision to retract an earlier promise not to play the pieces until she was older, says that the suites "present the player with infinite possibilities." Weilerstein avoids the dance rhythms for the most part, but sometimes, when they serve her purposes, they show up, and the surfaces are strikingly variegated. Theres the potential for a really deep kind of collaboration with them, which is kind of unique. I tend to say yes too often, but Im trying to get better at that. Its not about expressing the performers personality, but that inevitably happens. Video by John Francis So you budget accordingly. I do think, though, that we clearly have a problem, that we are not connecting with enough people, and that we are relying too much on our old models of presenting, especially when it comes to new music.. June 16, 2010 Musicians at the 2010 Spoleto Festival U.S.A. bring out the "Gypsy" in Haydn and Brahms. This category only includes cookies that ensures basic functionalities and security features of the website. Mito Habe-Evans/NPR courtesy of the artist The perspective gives you something. Its familiar, theres such a child-like purity to it, says Weilerstein. When did you come here as a cello student? This means people can now refer to you as a genius in an official capacity. Food. Alisa Weilerstein is streaming one movement of the Bach cello suites a day, just as she has released a polished studio recording of them. Alisa Weilerstein is one of the foremost cellists of our time. There are myriad reasons, of course, Weilerstein said, exploring the apparent divergence in the fields, but there is one very fundamental thing, which is, you walk into an exhibition, you see the painting or you see the work of art before anything, and it can hit you right where it needs to hit and then you can find out all the context around it. As a child prodigy, Ma performed for presidents Dwight D. Eisenhower and John F. Kennedy when he was only seven years old. Alisa Weilerstein is one of the foremost cellists of our time. From Astro to Wadada Leo Smith, Fiona Apple to Frank Ocean, here are 50 albums that made 2012 great. hide caption. 1 888 842-9951. Im still going to always try to improve as an artist and to be a more insightful interpreter. I count myself incredibly lucky in that respector maybe I was just very stupid, I dont knowthat I wasnt afraid to be in front of people. Business. I certainly didnt want that and no one around me wanted that for me. Is it always about reaching for some higher goal? 6 in D major, BWV 1012, into a sub-climax that concludes CD 1. Cellist Alisa Weilerstein has announced on her Facebook page that she and her husband, the conductor Rafael Payare, are expecting their first child together. I just want to have a kind of outpouring of music, of thoughts, and everything else, she told The New York Times then. He was the muse for Shostakovich and Prokofiev, and he premiered over a thousand works over the course of his lifetime. Theres also something beautiful and important about presenting different composers side by side, and behind a curtain, so that youre not focusing on their name, or whether or not theyre Bach.. hide caption. I think its a fantastic resource, and he writes so beautifully. WebAlisa Weilerstein. WebAlisa Weilerstein is one of the foremost cellists of our time. For details on how we use cookies, see our. However, even with a very specific composer like that, there is tremendous room for interpretation. Some did, she said, and some very much did not.. You try to treat the score as something thats living and breathing, and therefore, malleable. Gerardo Antonio Sanchez Torres/courtesy of the artist Just making sure to get enough sleep, and to have enough space in between engagements, those are things Im not too good at. 2, BWV 1008, that begins the second part (the second CD for physical buyers) is then especially free and introductory in quality. With contemporary music, theres so much context put around it even before weve heard anything.. I had a real life. Group Sales Request View Seating Chart (PDF) 25 by Brahms on June 11 at the Spoleto Festival USA in Charlestown, S.C. En Espaol. As the UKs Telegraph put it, Weilerstein is truly a phenomenon.. A multisensory production for solo cello, the six-chapter series sees her weave together the 36 movements of Bachs solo cello suites with 27 new commissions.
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